Alison Krauss Exclusive Life Story Interview

Enjoy Celebrity Radio’s Alison Krauss Exclusive Life Story Interview…..

Alison Maria Krauss (born July 23, 1971) is an American bluegrass-country singer-songwriter and musician.

She entered the music industry at an early age, winning local contests by the age of ten and recording for the first time at fourteen.
She signed with Rounder Records in 1985 and released her first solo album in 1987.

She was invited to join the band with which she still performs, Alison Krauss and Union Station (AKUS), and later released her first album with them as a group in 1989.

Raising Sand is a Grammy-award winning collaboration album by rock singer Robert Plant and bluegrass-country singer Alison Krauss.

It was released on October 23, 2007 by Rounder Records. Raising Sand won Album of the Year at the 2009 Grammy Awards.

Alison joined Led Zeppelin’s Robert Plant is one of the most famous Stars in the world!

Robert Plant Life Story Interview Album Interview Alison Krauss Alison Krauss Life Story Interview

Hear a rare interview with his 2007 album that took the world by storm.

Enjoy a rare interview with Robert Plant & co-writer performer Alison Krauss…

The two songs written by Gene Clark—”Polly (Come Home)” and “Through the Morning, Through the Night”—were originally recorded by Dillard & Clark for their 1969 album, Through the Morning Through the Night.

“Rich Woman” was first recorded by McKinley Millet (as L’il Millet) and his Creoles in 1955, for Specialty Records. “Please Read the Letter” was first recorded for the Page and Plant album, Walking into Clarksdale, in 1998.

“Gone, Gone, Gone” was originally written and recorded by the Everly Brothers for Warner Music in 1964.

They also recorded “Stick With me Baby” in 1960, for A Date with The Everly Brothers.

“Trampled Rose” was originally written and recorded by Tom Waits, and was featured on Real Gone in 2004.

Apart from the influence of Plant and Krauss’ vocal styles and talent, the album’s producer, T-Bone Burnett, is credited with giving the album its skeletal musical style.

The album entered the Top 5 on the UK Albums Chart, going on to reach #2 in January 2008